With an artist roster as prolific and well-established as Kompakt’s, you won’t find much downtime that could be used for new entries to the catalogue. That’s why we are especially happy to not only present the inaugurating full-length of VERMONT, but also introduce two distinguished producers to the fold that have built their impressive careers in our immediate vicinity, albeit appearing on the label for the very first time: Innervisions’ MARCUS WORGULL and DANILO PLESSOW (of MOTOR CITY DRUM ENSEMBLE fame), two floor familiars praised for their gripping club tunes that showcase a surprisingly unwound and novel side to their respective artist personas. With VERMONT, they submit a noticeably mature work that seems to come from a well attuned production duo, effectively concealing the fact that this is their first collaborative effort… and a decidedly informal one at that: these cuts were not conceived with specific aesthetic goals in mind, but emerged from a series of loose jam sessions disclosing the trespassing spirit of the sonic adventurer. It’s in the sanctum of Danilo’s former Cologne studio, surrounded by an armada of vintage analogue synthesizers, that the two music buffs somewhat inadvertently tapped into the city’s collective subconsciousness and minted fourteen sleek soundscapes of almost krautrockish proportions. Exhibiting high amounts of arpeggiated curiosity and following a factual no-sampling policy, tracks like ambient ballad MAJESTÄT are immersed in the enticing allure of freeform sequencing, even deciding to forego the full-blown percussion kits we’ve come to love in the two producers’ main bodies of work. The restricted rhythmic pallet pays off extraordinarily well, as can be heard in the rich, breathing textures: if inclined to do so, one could label these tracks as introspective synth poems, albeit with a strong sense for structure and dramaturgy that speaks volumes about the musical kinship of their originators – with or without drums.